Abandonded Abundance
( 2024 - )

Drawing on her practice of salvaging and laboriously transforming abandonded objects from home— many of them rejected or left behind—Chan Ting illuminates the palimpsestic nature of Hong Kong and our interconnected stories, weaving together themes of personal history, migration, queer reinvention, and growth.

Abandonded Abundance #12

2026

Vintage bamboo vase, filler, mineral pigment, industrial poighment, mineral pigment, spray paint, oil pastel

40 x 11 x 11 cm

Abandonded Abundance #13

2026

Vintage wooden flower, filler, mineral pigment, industrial poighment, spray paint, oil pastel

12 x 7.5 x 2.5 cm

Abandonded Abundance #9

2025

Antique Guanyin statue (est. Ming dynasty), filler, mineral pigment, industrial poighment, spray paint

50 x 23 x 19 cm

Close-up view of Abandonded Abundance #8

Abandonded Abundance #8

2025

A pair of discarded wardrobe doors, filler, mineral pigment, industrial poighment, mineral pigment, spray paint, oil pastel, gold foil, cat fur, household dust

142 x 92 x 6 cm

Close-up view of Abandonded Abundance #9

Abandonded Abundance #14

2026

Vintage wooden flower, filler, mineral pigment, industrial poighment, spray paint, oil pastel

1 1 x 6.5 x 2.5 cm

Abandonded Abundance #3

2024

Vintage timekeeper’s box, filler, mineral pigment, industrial poighment, spray paint

27.9 x 8.9 x 12.78 cm

Abandonded Abundance #5

2024

Carved vintage wooden flower, filler, industrial pigment, spray paint

14 x 9 x 2.5 cm

Abandonded Abundance #7

2024-25

Discarded rattan board, filler,mineral colour pigment, industrial pigment, oil pastel, spray paint, gold foil, copper foil, cat fur, household dust

123.4 x 66.5 x 3.6 cm

© Chan Ting 2026.

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